Yulia Razumovskaya is a multidisciplinary artist and designer. A graduate of the Saint Petersburg State Academy of Art and Design with a degree in graphic design, she has worked across diverse fields — from book design and illustration to design of navigation systems in architecture.
Working at the intersection of art and design, she creates works rooted in the material world. Exploring how art can inhabit the ordinary and transform it into a space of subtle encounter and reflection, she seeks to weave aesthetic experience into the fabric of everyday life. Her artworks take on wearable and functional forms — appearing on silk scarves, walls, furniture, and various surfaces.
Her practice draws inspiration from the depths of the ocean — a vast, hidden, timeless world of luxuriant beauty that remains largely untouched. In searching for the rhymes and interweavings of meanings, sensations, forms, and colors, she explores the fluid boundaries between the external world and the inner landscape of consciousness.
She is also interested in growing structures and their natural development, finding in them a language that resonates with her approach to pattern-making. Patterns, with their cycles, repetitions, evolutions, and the interplay between small fragments and a sense of endlessness, offer a form well-suited to her artistic vision.
Working at the intersection of art and design, she creates works rooted in the material world. Exploring how art can inhabit the ordinary and transform it into a space of subtle encounter and reflection, she seeks to weave aesthetic experience into the fabric of everyday life. Her artworks take on wearable and functional forms — appearing on silk scarves, walls, furniture, and various surfaces.
Her practice draws inspiration from the depths of the ocean — a vast, hidden, timeless world of luxuriant beauty that remains largely untouched. In searching for the rhymes and interweavings of meanings, sensations, forms, and colors, she explores the fluid boundaries between the external world and the inner landscape of consciousness.
She is also interested in growing structures and their natural development, finding in them a language that resonates with her approach to pattern-making. Patterns, with their cycles, repetitions, evolutions, and the interplay between small fragments and a sense of endlessness, offer a form well-suited to her artistic vision.
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